Brett Dean
Composer and viola player Brett Dean studied in Brisbane before moving to Germany in 1984 where he was a permanent member of the Berlin Philharmonic Orchestra for over 15 years.
Dean returned to Australia in 2000 to concentrate on his growing compositional activities, and his works now attract considerable attention, championed by conductors such as Sir Simon Rattle, Markus Stenz and Daniel Harding. One of the most internationally performed composers of his generation, much of Dean's work draws from literary, political or visual stimuli, including a number of compositions inspired by paintings of his partner Heather Betts.
Dean began composing in 1988, initially focusing on experimental film and radio projects as well as improvisational performance. Since then, he has created numerous compositions, mainly orchestral or chamber music as well as concertos for several solo instruments. His most successful work is Carlo for strings, sample and tape, inspired by the music of Carlo Gesualdo. On 7 September 2008 his work Polysomnography for wind quintet and piano received its world premiere at the Lucerne Festival; on 2 October 2008 Simon Rattle conducted the first performance of the orchestral song cycle Songs of Joy in Philadelphia. His first opera, Bliss, based on the novel by Peter Carey, premiered at Opera Australia in 2010.
Dean's compositional style is known for creating dynamic soundscapes and treating single instrumental parts with complex rhythms. He shapes musical extremes, from harsh explosions to inaudibility. Modern playing techniques are as characteristic for his style as an elaborate percussion scoring, often enriched with objects from everyday life. Much of Dean's work draws from literary, political or visual stimuli, transporting a non-musical message. Environmental problems are the subject of Water Music and Pastoral Symphony, while Vexations and Devotions deal with the absurdities of a modern society obsessed with information.
Compositions by Brett Dean appear on
BEING
Daniel Pini, acclaimed Australian cellist and conductor, presents this exploration of contemporary Australian classical music for solo cello. The album features works from five of Australia’s most distinguished living composers—Victoria Pham, Brett Dean, Deborah Cheetham Fraillon, Liza Lim, and Carl Vine—showcasing Australia’s modern musical landscape.
